This module is not currently running in the selected year. The information shown below is for the academic year that the module was last running in, prior to the year selected.
2008/09 Undergraduate Module Catalogue
DESN1632 Colour: Art and Science
10 creditsClass Size: 100
Module manager: Professor Stephen Westland
Email: s.westland@leeds.ac.uk
Taught: Semester 1 (Sep to Jan) View Timetable
Year running 2008/09
This module is approved as an Elective
Module summary
Is colour an art or a science? This module explores the use of colour in art and the scientific principles that enable that use. The material spans the use of colour by artists through the ages, explanations of how natural colour phenomena (such as the rainbow) occur, and an introduction to how colour is perceived by the human brain. Colour exists only in the mind and if we wish to understand colour and use it effectively (for example, in design processes) then we must understand the colour formation process and the perceptual properties of colour.Objectives
On completion of this module, students will have an appreciation of the use of colour in art and the scientific principles that underpin colour. They will have an understanding of the way in which colour has been used by different artists and the perceptual properties of colour that have been exploited by artists down the ages. The students will have a good understanding of the nature of colour and the relationship between the wavelength of light and colour. The importance of studying the human colour vision system for many areas of colour use (including the design process) will be made clear. Students will have an appreciation of the basic technology of some imaging devices, the use of RGB colour and the notion (uses and limitations) of a colour space.Syllabus
A series of 9 lectures will explore the phenomenal experience of colour including: colour vision; colour communication, colour emotion; colour naming; colour psychology and colour technology. The central idea of the module is to highlight the colour as a property of our mental processes rather than as a property of the world. An understanding of the true nature of colour perception has profound implications for the effective use of colour in art and design.
Teaching methods
Delivery type | Number | Length hours | Student hours |
Lecture | 9 | 1.00 | 9.00 |
Seminar | 2 | 1.00 | 2.00 |
Private study hours | 89.00 | ||
Total Contact hours | 11.00 | ||
Total hours (100hr per 10 credits) | 100.00 |
Private study
Reading for lectures: 9 x 2 hours;Reading for seminars: 2 x 3 hours;
Preparation for essay: 39 hours;
Private study: 26 hours.
Opportunities for Formative Feedback
1 x 1000 word essay (week 6).Methods of assessment
Coursework
Assessment type | Notes | % of formal assessment |
Essay | 2000 words | 67.00 |
Essay | 1000 words | 33.00 |
Total percentage (Assessment Coursework) | 100.00 |
Normally resits will be assessed by the same methodology as the first attempt, unless otherwise stated
Reading list
The reading list is available from the Library websiteLast updated: 12/09/2008
Browse Other Catalogues
- Undergraduate module catalogue
- Taught Postgraduate module catalogue
- Undergraduate programme catalogue
- Taught Postgraduate programme catalogue
Errors, omissions, failed links etc should be notified to the Catalogue Team.PROD