2008/09 Undergraduate Module Catalogue
ARTF3034 From Trauma to Cultural Memory: The Unfinished Business of Representation and the Holocaust
20 creditsClass Size: 23
Module manager: Prof Griselda Pollock
Email: G.F.S.Pollock@leeds.ac.uk
Taught: Semester 2 (Jan to Jun) View Timetable
Year running 2008/09
Pre-requisite qualifications
Students wishing to take this module as an elective at level three must have completed at least 20 credits from ARTF 2000 or any other level two ARTF coded moduleThis module is approved as an Elective
Module summary
PRE-REQUISITES: Students wishing to take this module as an elective at level three must have completed at least 20 credits from ARTF 2000 or any other level two ARTF coded module.This module addresses debates in literary, historiographical and psychological theory about the ways in which witnesses provide testimony, and the ways in which the legacy of a historical trauma of the magnitude of the Holocaust is represented by historians, sociologists, writers, artists and museums. Students will be introduced to the debates about Holocaust and 'the limits of representation', for instance, by comparing Schindler's List with Claude Lanzmann's Shoah. Autobiographies of survivors will be studied. The issues of witness and the process of testimony will be addressed through the work of the Yale Archive. Aspects of contemporary moves to memorialisation in art and through museums devoted to Holocaust commemoration and education will be analysed. There will be a section on psychoanalytic perspectives on the transmission of trauma to the children of survivors. Rather than an historical study of the events of 1933-45, this module enables students to consider the continuing significance of this disaster in the larger context of European history through close attention to the voices and images of those who continue to live with a trauma that only psychological, analytical, creative work can turn into memory which the cultures of Europe must themselves take on as the history that continues to shape our present responses to all forms of racism, genocide and violence against the stranger.Assessment: 1 x 1 hour exam (50%) and 1 x 2-3,000 word essay (50%)Objectives
The aims and objectives of this module are to consider the continuing significance of the events known as the Holocaust or Shoah as they enter representation. The module will consider testimony and oral archives of survivor's witness, current moves to create Holocaust museums, artistic projects of memorialisation and counter-memory, autobiographical narratives and films, psychotherapeutic work with the generations of survivors' children. Cinematic attempts to respond to the Holocaust will also be studied. These voices, words and images pose the question of what it is that is struggling into or out of representation and what it means for everyone living in the shadow of this major event in western modernity.Skills outcomes
Verbal and written fluency in constructing a logical and coherent argument.
Use of audio visual aids
Participation in group discussions
Co-ordination and dissemination of a range of historical, contextual visual information
Using bibliographies and databases
Verbal and written fluency in constructing a logical and coherent argument.
Use of audio visual aids
Participation in group discussions
Co-ordination and dissemination of a range of historical, contextual visual information
Using bibliographies and databases
Syllabus
Studying films, autobiographies, visual art and archives of oral testimony, the module will address a range of debates in literary, historiographical and psychological theory about the ways in which witnesses provide testimony, and the ways in which the legacy of a historical trauma of the magnitude of the Holocaust is currently being represented by historians, sociologists, writers, artists and museums. Thus the students will be introduced to the debates about Holocaust and 'the limits of representation' (Saul Friedlander), for instance, by comparing Schindler's List with Claude Lanzmann's Shoah. Autobiographies of survivors from many different countries and situations will be studied (Bauman, Kofman, Perec, Levi). The issues of witness and the process of testimony will be addressed through the work of the Yale Archive (Laub, Primo Levi). Aspects of contemporary moves to memorialisation in art and through museums devoted to Holocaust commemoration and education will be analysed (Young and Rogoff). There will be a section on psychoanalytic perspectives on the transmission of trauma to the children of survivors looking. (Wardi) Rather than an historical study of the events of 1933-45, this module will enable students to consider the continuing significance of this disaster in the larger context of European history through close attention to the voices and images of those who continue to live with a trauma that only work - psychological, analytical, creative - can turn into memory which then the cultures of Europe as a whole must themselves take on as the history that continues to shape our present responses to all forms of racism, genocide and violence against the stranger.
Teaching methods
Delivery type | Number | Length hours | Student hours |
Seminar | 11 | 3.00 | 33.00 |
Private study hours | 167.00 | ||
Total Contact hours | 33.00 | ||
Total hours (100hr per 10 credits) | 200.00 |
Private study
167 hours - reading, class/essay preparationOpportunities for Formative Feedback
- attendance at seminars- registers kept
- participation in class discussions
Methods of assessment
Coursework
Assessment type | Notes | % of formal assessment |
Essay | 1 x 2,000-3,000 word essay | 50.00 |
Total percentage (Assessment Coursework) | 50.00 |
Normally resits will be assessed by the same methodology as the first attempt, unless otherwise stated
Exams
Exam type | Exam duration | % of formal assessment |
Standard exam (closed essays, MCQs etc) | 1 hr 00 mins | 50.00 |
Total percentage (Assessment Exams) | 50.00 |
Normally resits will be assessed by the same methodology as the first attempt, unless otherwise stated
Reading list
The reading list is available from the Library websiteLast updated: 17/03/2009
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