2008/09 Undergraduate Module Catalogue
HIST2190 British Imperial Culture, 1914 to the present day
20 creditsClass Size: 42
Module manager: Dr Christopher Prior
Email: C.Prior@leeds.ac.uk
Taught: Semester 1 (Sep to Jan) View Timetable
Year running 2008/09
This module is approved as an Elective
Module summary
This module examines the relationship between British cultural output and the political, economic and social history of Britain and the British Empire from the start of the First World War to the present day. It focuses on the ways in which cultural products mapped out, and continue to map out, changing responses to notions of empire, as well as British and English national identity, race and class. This module will focus in on responses to particular themes, such as the role of the British Empire in the World Wars and the Cold War, and the rise of postcolonial immigration into Britain. This module will use a variety of sources, such as films, novels, art, music, advertisements and theatre.Objectives
The course will encourage students to develop an understanding of the links between the cultural output of the British metropole concerning the British Empire, and the events of the World Wars, decolonization and the postcolonial period. Students will analyse a wide variety of different types of cultural works in order to achieve this goal, and their works will be, in the main, works that were popular at the time of their publication. Students will also analyse historiographical trends pertaining to the ways in which British culture discussed matters of race, empire and shifts in geopolitical pre-eminence.Learning outcomes
On completion of this module students will be able to analyse a variety of texts within their historical context.
Syllabus
Students will examine a wide range of authors, including George Orwell, E. M. Forster Arnold Bennett, Agatha Christie, John Buchan, Joseph Conrad, H G Wells, Jean Rhys, Nevil Shute, Paul Scott, and C. S. Forester. They will also examine popular film and television of the time, such as film versions of The African Queen, Jewel in the Crown, The Four Feathers, A Passage to India, Zulu, as well as other films such as Zulu and Khartoum, and a range of poetry, art, advertising, music and theatre.
The historiographical aspect of the course will focus upon the diverging interpretations of the Manchester Studies Imperialism / John Mackenzie and the Bernard Porter schools as to the impact of culture upon the British metropole, but will also examine interpretations of imperial culture by writers such as Andrew Thompson, Gerwin Strobl, Sujit Bose, Michael Gorra, and Patrick Swinden. Particular attention will be placed on the divergences between Marxist, postcolonialist, and 'modern imperial' viewpoints.
Teaching methods
Delivery type | Number | Length hours | Student hours |
Lecture | 11 | 1.00 | 11.00 |
Seminar | 6 | 1.00 | 6.00 |
Private study hours | 183.00 | ||
Total Contact hours | 17.00 | ||
Total hours (100hr per 10 credits) | 200.00 |
Opportunities for Formative Feedback
Students progress will be monitored formally through the assessed essay, and informally through bi-weekly responses in each seminar.Methods of assessment
Coursework
Assessment type | Notes | % of formal assessment |
Essay | 1 x 2,000 word assessed essay to be submitted by 12 noon on Friday of week 7 of the semester the module is taught | 30.00 |
Presentation | 1 x 15 minute oral presentation assessed in bi-weekly seminars through an equivalent written exercise | 10.00 |
Total percentage (Assessment Coursework) | 40.00 |
Normally resits will be assessed by the same methodology as the first attempt, unless otherwise stated
Exams
Exam type | Exam duration | % of formal assessment |
Standard exam (closed essays, MCQs etc) | 2 hr 00 mins | 60.00 |
Total percentage (Assessment Exams) | 60.00 |
Normally resits will be assessed by the same methodology as the first attempt, unless otherwise stated
Reading list
The reading list is available from the Library websiteLast updated: 29/04/2009
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- Undergraduate module catalogue
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